Fanatics Fest: All Access was my first opportunity to step into a dedicated Post Associate Producer role, and it gave me a whole new appreciation for how a story is built in the edit.

Working in Adobe Premiere, I organized hours of footage, built string-outs, assembled paper cuts, and sourced music beds to help editors shape the strongest story. I loved digging through interviews and verité footage to find the moments that made the final special feel authentic, emotional, and engaging.

Beyond the creative, I managed the details that kept post moving—tracking music clearances, organizing deliverables, maintaining detailed post schedules, and ensuring branded integrations for partners like Dick's Sporting Goods and Starbucks were woven naturally into the final edit. From rough cut through final broadcast,

This project reinforced that I genuinely love the edit. There's something incredibly satisfying about taking hundreds of hours of footage and slowly uncovering the story inside of it all.